If you haven't planned a trip to the Taj Mahal in Agra as yet, then it's time you do so. But before you visit this monument, it is important to know about the region, its main tourist attractions, nearby attractions, the Taj story, facts, myths, legends, eating out and entertainment options, and so forth. The information helps to plan your trip better for a hassle-free vacation experience.
While there are a number of questions that go through your mind, we at tajmahal.net.in will ensure that we assist you to the best of our ability by offering extensive information about the Taj Mahal, its nearby tourist attractions, and accommodation options.
We will try to pen down as much information that we can gather about the Taj Mahal facts and history so that your basic queries and doubts are answered.
The information about Taj Mahal will also assist you to brush up your knowledge about its location and sites. It will also ensure that you thoroughly enjoy your trip to Agra less the discomforts.
Standing magnificently on the banks of the River Yamuna, the Taj Mahal is synonymous with eternal love and exotic beauty. The name of this majestic structure was inspired from "Mumtaz Mahal" – The Empress and second wife of Mughal Emperor Shah Jahan. Its name signifies the "Crown Palace."
The virtue of the white marble, the wonderful ornamentation, valuable gemstones utilized and the colossal 42-acre area in which it stands; all make a visit to the Taj Mahal the most desirable of all to other World Heritage sites. It is amongst the most glorious visits to look forward to.
That said, until you know the epic tale behind the creation of this masterpiece, the excellence of the same would not excite your hearts and minds; rather, it would end up as simply another wonderful landmark to visit. It is the eternal saga behind this remarkable monument that has prompted its existence. Come and explore the instinctive magnetism that it exudes with us.
Uttar Pradesh, the Land of The Taj is rich in its social legacy and has dependably been a conspicuous coliseum of legislative issues subsequent to the antiquated times. Agra, the City of The Taj and once the capital of the Mughal Empire during the sixteenth through the mid-eighteenth century, appreciates a nearby vicinity to the National Capital City of New Delhi. This means, anyone visiting New Delhi can plan a quick one-day excursion to the Taj Mahal – all credit goes to the newly-constructed Yamuna Expressway that takes you to this legendary structure in just 3 hours!
Vacationers from everywhere and throughout the world visit Agra to make a trip to the Taj Mahal - India's most celebrated structural marvel, in an area where grand sanctuaries and buildings flourish to remind us about the heritage wealth and human progress of a nation that is gradually, yet without a doubt, lifting itself into an industrialized society alike.
As mentioned earlier, Taj Mahal signifies the "Crown Palace" and the truth is that this is indeed the most well-preserved and compositionally delightful tomb on the planet. The English writer, Sir Edwin Arnold, has depicted The Taj as "Not a piece of architecture, as other structures are, but the passion of an Emperor’s love wrought in living stones."
It is a beauty celebrated in marble and celebrated with precious and semi-precious stones and that is the best approach to value it!
The Taj Mahal remains formidable, standing grandly, yet still, against the test of times on the bank of revered Yamuna River, which generally serves as a wide channel guarding the Great Red Fort of Agra, the focal point of the Mughal rulers until they moved their Capital to Delhi in 1637. It was worked by the fifth Mughal ruler, ShahJahan in 1631 in memory of his second; however, the most loved wife and a perfect partner, Mumtaz Mahal, a Muslim Persian Princess who ruled the heart of this great emperor. She passed away while travelling with her spouse, Emperor ShahJahan, in Burhanpur in a crusade to wipe off a rebellion, subsequent to the birth of their thirteenth heir. The demise so pulverized the Emperor that all his hair and whiskers were said to have turned to a hue of white tinge in just a couple of months.
When Mumtaz Mahal was still alive, she extricated four wishes from the ruler;
Be that as it may, because of being ill and under house arrest by his own son and successor to the throne, Emperor Aurangzeb, banished him from fulfilling the last wish of Mumtaz.
The Taj ascends on a high red sandstone base topped by a tremendous white marble porch on which rests the popular arch flanked by four tapering minarets. Inside the vault lies the gem trimmed cenotaph of the ruler. So perfect is the workmanship that the Taj has been depicted as "having been outlined by giants and wrapped up by gem makers." The main deviated object in the Taj is the tomb of the ruler, which was placed adjacent to the tomb of Empress Mumtaz Mahal, as an afterthought.
Legend has it that during his eight years in length of sickness and detainment, Emperor ShahJahan would intensely and continuously view The Taj, lying in bed, through a precious stone fixed at a specific angle in the wall in front of him. True Love indeed!
As a tribute to a lady of extraordinary excellence and as a landmark of an eternal love saga, which is keeping us hooked even when perusing through these pages here, the Taj is truly a perpetually endearing epic tale of true affection that has been immortalized by the romance of two beings. What's more, the rich magnificence of this visual scene turns instinctive when one hears the story behind it. The narrative of the Taj Mahal!
For those who truly understand the legendary saga and shift away from pragmatism, The Taj guarantees to uncover its nuances to such admirers!
The Taj's rectangular base is in itself distinctive of the diverse facets with which to admire a lovely lady. The principle entryway resembles a veil over a lady's face which ought to be lifted carefully, tenderly and without urgency as you would do on the wedding night. In Indian custom the veil is lifted tenderly to uncover the magnificence of the lady. As one stands inside the fundamental entryway of Taj, their eyes are coordinated to a curve which outlines the structure.
The vault is made of white marble; however, the tomb is set against the plain over the river and it is this foundation that works its enchantment of hues that, through their appearance, change the perspective of the Taj. The hues change at various hours of the day and during various seasons – worth visiting then.
The Taj shimmers like a gem in moonlight when the semi-precious stones trimmed into the white marble on the fundamental tomb get and reflect back their sparkles with a superior glimmer. The Taj is pinkish in the morning, smooth white at night and radiant when the moon shines. These progressions, they say, portray the diverse states of mind of a marvel that is beguiling.
Distinctive individuals have diverse perspectives of the Taj, yet it suffices to say that the Taj has its very own existence that jumps out of marble. A perfect work of art of the craftsmanship and intricacy in design, a representative of an era called The Mughal Period, surpassing any power to include or not include anything, in any sense, in or out of the Taj!
At the precarious edge of day break when the main beams of the sun hits the vault of this epic landmark, the Taj emanates like a radiant homestead, in splendid brilliance. And later, at nightfall, relaxing in the brilliance of the moon, it sparkles like a splendidly cut precious stone; showing up as though straight out of some mysterious story, leaving the viewers awestruck by its feeling of grandeur and mystique. Absolutely an architectural wonder, no big surprise it stands pleased at being one of the Seven Wonders of the World.
Taj Mahal, "the encapsulation of romance", is "a landmark of immense magnificence." The excellence of this grand monument is such that it is past the extent of words. The contemplations that come to mind while viewing the Taj Mahal of Agra is its incredible excellence, as well as the monstrous adoration, which was the purpose for its construction.
Mughal Emperor ShahJahan got this landmark erected in memory of his dearest wife, Empress Arjumand Banu Begum, better known to us as Mumtaz Mahal, from the family of Persian nobility, with whom he became hopelessly in love at first sight. Humorously, the first sight of the Taj Mahal, the encapsulation of romance and emotion, likewise, leaves visitors entranced and interminably excited.
Who would ever believe that an interminable affection prompting the journey of unending subjugation can advance out of a desert-like land and would bloom to be the motivation to blessing our reality a sonnet in-marble - The Taj!
No picture of The Taj, neither on peddle nor on celluloid, can sufficiently express its calculated nonexistent nor pass on the legend, the verse and the emotion that covers what Rabindranath Tagore calls "a teardrop on the cheek of time."
The Taj Mahal, a scene in white marble, unparalleled in greatness that portrays the sheer extravagance of a period. The wonderful structure, the landmark of adoration that Mughal Emperor ShahJahan provided for the world to marvel at, remains as a confirmation of his extreme affection for his dearest wife.
The Taj Mahal stands erect with effortlessness, is not only an anecdote exemplification of enthusiastic and endless adoration between a man and a woman, yet for different reasons as well.
Emperor ShahJahan, who appointed the construction of 'The Taj', sought to make it an image of gravity, congruity, virtue and most profound sense of being alike.
The Taj is not just a landmark of elegance and poise alone. It is, indeed, a message to all humanity that "Immaculate love is the spirit of life."
The Taj stands as a reminder to all humanity about the generally acknowledged, yet not all that well rehearsed idea of 'Love and Peace', the quintessence of the heaven, free from clashes of races and topographical limits, is critical to be watched gravely.
The epic of The Taj would be half narrated, if the myths identified with it are not specified. In the same way as any other ancient structure, the Taj Mahal has its myths and legends. It appears that there is more fiction on the Taj than genuine academic exploration. A few of the stories have a place exclusively to spoken tradition alone, which are narrated by local guides. Some are established to the point that they frame a mainstream history of the landmark and some have advanced into journals, while some have been taken up by researchers, or even made by them, and in this manner, these stories have turn out to be part of the insightful scholarly discussions and debate.