Shah Jahan | Mumtaz Mahal | Water Gadgets | Taj Mahotsav | Garden | Mosque | Story | Facts | Complex | Calligraphy | Legends and Myths | Day at Taj
The excellence of the ever effortless and heavenly Taj Mahal has dependably had admirers watch and acclaim in wonderment, and the symmetry of it has dependably had the modelers from world crosswise over conjecture and mull over in the matter of how this could have been done on such a gigantic scale. From the Persian style gardens isolated into impeccable four by four arrangements to the equidistant minarets, from indistinguishable looking twin structures on every side of the fundamental tomb (mosque and guest house) to the comparable designed lotus plan on each of the chhattris (umbrella style outline that is a part of the primary sepulcher, the mosque, and the rest house), Taj Mahal is any planner's Mecca. Be that as it may, in this ocean of symmetry, if one thing emerges from the group or appears not as per rest of the plan is the cenotaph of the ShahJahan, the man who saw this monument in any case.
While the cenotaph of Mumtaz Mahal sits consummately at the focal point of the chamber, it is the cenotaph of ShahJahan, which has all the earmarks of being pressed in as opposed to planned and is additionally somewhat higher than the cenotaph of her wife. It is this asymmetry from where the myth or legend of deviated Taj begins. There are two forms of the story that by one means or another appear to join together toward the end, yet as there is no hard evidence to recommend the surety of either of the two, the legend goes on. As per the first, ShahJahan's son Aurangzeb was a sincere Muslim, and since the heavenly book of Quran restricts any sort of conspicuousness at the season of death, he didn't support of his dad's desire to construct Taj in any case. Therefore, a few scholars trust that the cenotaph of ShahJahan was set by his son Aurangzeb, without thinking much about the symmetry.
Another set of scholars trust that the cenotaph of ShahJahan was never intended to be put close by the cenotaph of his wife as it would have disturbed the entire symmetry of the focal and the internment chamber. Or maybe, they trust that ShahJahan intended to build another Taj Mahal, in black, on the inverse side of the waterway, where the Mehtab cultivate right now exists. The cases are because of the reason that Mehtab garden, more than a greenery enclosure, bears a look of a relinquished plan as stays of black marble have been found. Furthermore, since ShahJahan, in the most recent years of his life was removed by Aurangzeb and was put under house capture, the plan to fabricate another Taj couldn't continue. What's more, after ShahJahan's passing, Aurangzeb, erratically buried his him adjacent to Mumtaz's cenotaph, in this way destroying the generally consummate symmetry of the Taj.